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Shread, C. & Zamorano, R. (trans.) (2024) “‘El clítoris es un anarquista.’ Placeres, anarquismo y ecologías del orden plástico de la traducción” Revista Papel Máquina 20, 27-41.

Malabou, C. & Shread, C. (trans.) (2023) Stop Thief! Anarchism and Philosophy, Cambridge, UK: Polity Press.

Shread, C. (2023) “Ecological Approaches,” in The Routledge Handbook of Concepts and Theories of Translation, Kobus Marais, Reine Meylaerts, eds., London and New York: Routledge, 113-125.

Shread, C. “This Time We Didn’t Wait: The Simultaneous English Translations of Simone de Beauvoir’s Les Inséparables,” Simone de Beauvoir Studies 33 (2022) 167–176.

Shread, C. (2023) “Love, Anger, Madness Making a Classic: Amplifying Marie Vieux-Chauvet’s Haitian Trilogy” in This is a Classic: Translators on Making Writers Global, ed. Regina Galasso, New York: Bloomsbury, 215-236.

Shread, C. (2022) “Translating Art and Pleasure Unthought in Catherine Malabou”, Modern Language Notes, 137(4), Special Issue: L’Art de Malabou: Discours, Plasticité, Mimèsis, ed. Hannes Opelz, 737-754.

Forthcoming translation from the French of Catherine Malabou's Pleasure Erased: The Clitoris Unthought is the recipient of a 2022 French Voices award.

Rancière, J. (Spring 2022). Does Communist Art Exist? Trans. Matthew Scully, Nell Wasserstrom, and Carolyn Shread. Critical Inquiry, 48(3), 459-474.

Mbembe, A. & Shread, C. (trans.) (2021) Notes on Late Eurocentrism, Critical Inquiry In the Moment. (2021, July 1). Retrieved from

Shread, C.  (2021) Response by Shread to “Representing experiential knowledge”, Translation Studies, 14(1), 104-108, DOI: 10.1080/14781700.2020.1850333